MORE WRITING
ESSAYS AND CRITICISM
on ‘The Place of Shells’ (Los Angeles Review of Books, 2025)
on ‘Dancing On My Own’ (Cleveland Review of Books, 2025)
on ‘Mirror Nation’ (Los Angeles Review of Books, 2024)
on ‘Mahjong’ (ScreenSlate, 2023)
on the impact of AI porn on adult performers (the Baffler, 2023)
on hyperpop offline (Nina, 2023)
on Oscar yi Hou (Movements, 2023)
on ‘OldBoy’ (Little White Lies, 2023)
on ‘My Strange Addiction’, Nan Goldin, and the opioid epidemic (the Indy, 2023)
on disaffected female protagonists (the Indy, 2022)
on the mycological potential of web3 (the Indy, 2022)
on reading and artificial care (Real Life, 2022)
on ‘The Digital Closet’ (Eye on Design, 2022)
on queer algorithmic discovery (Logic, 2021)
on ‘The King of Masked Singer’ (the Indy, 2020)
on ‘Dancing On My Own’ (Cleveland Review of Books, 2025)
on ‘Mirror Nation’ (Los Angeles Review of Books, 2024)
on ‘Mahjong’ (ScreenSlate, 2023)
on the impact of AI porn on adult performers (the Baffler, 2023)
on hyperpop offline (Nina, 2023)
on Oscar yi Hou (Movements, 2023)
on ‘OldBoy’ (Little White Lies, 2023)
on ‘My Strange Addiction’, Nan Goldin, and the opioid epidemic (the Indy, 2023)
on disaffected female protagonists (the Indy, 2022)
on the mycological potential of web3 (the Indy, 2022)
on reading and artificial care (Real Life, 2022)
on ‘The Digital Closet’ (Eye on Design, 2022)
on queer algorithmic discovery (Logic, 2021)
on ‘The King of Masked Singer’ (the Indy, 2020)
FICTION